UNIT 6
Bathing of a Red Horse
Kuzma Sergeevich Petrov-Vodkin (1878 - 1939) was an important Russian and Soviet painter and writer. Kuzma Petrov-Vodkin was born in Khvalynsk (Saratov Oblast) into the family of a local shoemaker.
His first exposure to art was in his early childhood, when he took some lessons from a couple of icon painters and a signmaker. Still, Petrov-Vodkin didn't quite see himself in art at that time; after graduating from middle school, he took a summer job at a small shipyard with plans to get into railroad college in Samara. After failing his exam, he turned to "Art Classes of Fedor Burov" in 1893.
In April 1895, Burov died and for some time Petrov-Vodkin took different painting jobs in the vicinity of Saratov. By chance, his mother's employer invited a well-known architect, R. Meltzer. Petrov-Vodkin was introduced to the guest and impressed him enough to get an invitation to study art at Saint Petersburg. The education was financed by a charitable subscription among local merchants. He also met at this time Borisov-Musatov, an important painter resident in Saratov, who encouraged Petrov-Vodkin to continue his studies.
Even during his college years, Petrov-Vodkin managed to enter into conflict with the Russian Orthodox Church, which discarded his work on a chapel in Samara and ultimately destroyed it as unacceptable. A number of his early works were deemed too erotic. His first well-known work was The Dream (1910), which sparked a discussion among contemporary Russian artists. The main defender of the painting was Alexandre Benois; his main detractor was Ilya Repin (hence, Petrov-Vodkin was discussed by two of the major Russian painters of the time). Other major works of that time include Boys at play, and, notably, Bathing of a Red Horse, his most iconic work. The latter became an instant classic, and, in a sense, trademark for the artist.
During this stage in his artistic development, Petrov-Vodkin extensively used an aesthetic of Orthodox icon together with brighter colours and unusual compositions. His works were often deemed blasphemous and erotic.